人越大blog越難寫
唔想無病呻吟，但又有啲講唔出嘅矛盾位

可遠觀而不可褻玩
舞蹈如是，戲劇如是，音樂如是
三位藝術家
各自表述
亦highlight三個藝術範疇都唔係以form做目標

但係
若果個媒介同意念扣唔實
個form點work都係差啲
若果execute嗰個有心無力，或者根本未夠班
……
有啲嘥咗嗰idea

今次大鑊
下個月點收科?

學「藝」路上 ，不進則退
是準繩、深度、呼吸
是留白、停頓、是「減」
忘我與抽離
藝比術更重要

尋的是那文字觸碰的感情
那音符訴說的故事
和靜止中的張力

那才是根源

不是娛樂，沒有炫技，就是直截了當的吶喊

What is it that I missed most about London? It's not so much the accent but the demeanor and subtle cultural differences, down to the undercurrents of racism. It's those "mind the gap" signs, a respect for heritage and of personal space, the stiff upper lip, a clear sense of purpose and priority (despite varying preferences).

But visiting any tourist attraction during the Easter weekend is bound to highlight some of the sentiments left and right that echo throughout the world. When you do not hear your language anywhere, to a degree that you feel displaced in your own home, that becomes a problem. Imagine facing that on a day to day basis. You no longer differentiate tourist from immigrant, especially when people refuse to adapt to a new environment and culture. I guess the Chinese are no longer the only guilty ones. No intellectual pursuit in diaspora studies can prepare you emotionally for that.

//

[Tate Modern: Exploring Media Network]
It's only been a little over a decade and the Zeitgeist took drastic turns with the age of smartphones. These are trying but also interesting times we live in, as communication, documentation, and creative pursuits will all have to adapt to the new idiom. It's up to us if we are to use technology as a tool, or be enslaved by the matrix.

P.S. old habits die hard, typing this post while having cappucino at Caffe Nero, still love their coffee

在苦與樂之間找到平衡點

就是靜靜的、輕輕的牽著手
一直走下去

如果與從來
都不再重要
理想和現實
每天重疊、交替著
沒有完美的場景
卻有苦盡的甘來